BOLSTERARTS RESIDENCY

COHORT 01

2025

Selected by jurors Dejá Belardo, Associate Curator at The Shed, Aida Valdez, Founder of MAD54, and Dr. Margarita Rosa, Independent Curator, Art Historian, and 2025 Curator of Future Fairs.


Person in white shirt standing in front of colorful abstract artwork.

GRACE LYNNE HAYNES

GRACE LYNNE HAYNES

CASSANDRA MAYELA ALLEN

CASSANDRA MAYELA ALLEN

Sepia-toned portrait of a person with short dark hair, wearing earrings and rings, looking slightly sideways. They have a tattoo of a flower on their hand.

  • Person with long curly hair in white shirt standing in front of colorful abstract art.

    GRACE LYNNE HAYNES

    Grace Lynne Haynes is a world builder that imagines new possibilities for empowerment through a symbolic visual language of her own making. Her work continues the Black-American artistic tradition that utilizes the imagination to create alternative realities that we can both dream and exist in. Through these worlds, she explores future possibilities from the lens of a Black woman. Her paintings ask questions about who owns our future, but also who is entitled to reason, speculate, and reckon with it.

    Haynes is an inaugural fellow of Kehinde Wiley's Black Rock Senegal artist residency and a Forbes 30 Under 30 Art & Style selected artist. Her work has been featured twice on the cover of The New Yorker and in notable publications such as Whitewall Magazine, New American Paintings, CNN Art & Style, and Elephant. Haynes has exhibited her work internationally at the Dakar Biennale, as well as in Italy, New York, Los Angeles, and most recently, Berlin. Her paintings are in the collection of The California African American Museum, The Bunker Artspace, X Museum in Beijing, Pérez Art Museum, and many other notable collections.

  • CASSANDRA MAYELA ALLEN

    Cassandra Mayela Allen (b. Caracas) is a self-taught artist based in New York since 2014, when she forcedly migrated from Venezuela. Her practice explores ideas of identity, migration, and belonging, drawing from her own personal experiences and engaging with the community through interviews and conversations. She explores textiles' unique storytelling potential, preserving and reimagining memories through material transformation and creative blends of fabric and found materials.

    Mayela Allen’s work has been exhibited at Olympia, JO-HS, NADA House, V1 Gallery, EFA Project Space, Acompi/ NARS Foundation, Apexart and Eric Firestone Gallery. She’s been an artist in residence with Modern Ancient Brown (DT), Pocoapoco (MX), Campo Garzón (UY) and Bolster Arts (NYC). Her work has been featured in The New York Times, Bomb Magazine, Elephant Magazine, American Craft Council, among others.

Meet the COHORT 01 Jury

  • Woman sitting on a couch, smiling, wearing a black shirt; abstract art on the wall.

    Aida Valdez

    FOUNDER, MAD54

    Aida Valdez is the founder of MAD54, a community dedicated to promoting art collection and supporting emerging artists. Through MAD54, she offers education and resources for aspiring collectors to navigate the art world with confidence. In 2023, Valdez initiated a six-month residency program in Brooklyn, featuring four resident artists. Valdez’s curatorial projects include Pásele Pásele (2021), a pop-up exhibition showcasing 20 Mexican and Mexican-American artists, Jolie Laide (2023) at Harper’s Apartment in New York; and Land and At Sea (2024) at Mint Munich. She has also organized panels on art collecting at NeueHouse and Future Fairs, and led artist talks at Casa Pani in Mexico City. Currently, Valdez is co-curating an upcoming exhibition of Mexican artist Elina Chauvet, set for New York City in 2025. She holds a degree in Communication and Media from Erasmus University Rotterdam and a Master’s in Management from the Rotterdam School of Management.

  • Person wearing a pink blazer, smiling indoors with abstract orange artwork in the background.

    Dr. Margarita Rosa

    SCHOLAR & CURATOR

    Dr. Margarita Rosa (she/her) is a public scholar, curator, presenter and creative strategist specializing in Afro-Latinx, Latinx, and Black Atlantic history and contemporary art.Dr. Margarita Rosa was born in Tenares, Dominican Republic, in 1993. Raised in Jersey City, New Jersey, Dr. Rosa received her Ph. D from Princeton University. From 2021-2023, Dr. Rosa was a Lecturer and Mellon Postdoctoral Fellow at Stanford University, where she taught courses on gender and rebellion in the Black Atlantic. Art criticism by Dr. Rosa has appeared in i-D Vice, Hyperallergic, The Brooklyn Rail, and Frieze, as well as several exhibition catalogues and book chapters. Dr. Rosa’s historical academic scholarship has been published in The Journal of African American History, Slavery & Abolition, The Black Scholar, and PhiloSOPHIA. Dr. Rosa has been featured or interviewed in Ebony, Hyperallergic, Teen Vogue, Pop Sugar, and Refinery 29.

  • Person with braids, wearing a cream cardigan and hoop earrings, posing against a white background.

    Dejá Belardo

    ARTIST & ASSISTANT CURATOR, THE SHED

    Dejá Belardo, (she, they) is a curator and painter based in New York City. They were born and raised in St.Croix, U.S Virgin Islands and studied Political Science and Writing at Loyola University New Orleans and currently completing a degree in Art History and Visual Culture at NYU. Their diverse cultural background influences their commitment to the social and cultural power of art. The duality of being an artist and an arts professional allows Belardo to have a dynamic knowledge of how to serve the best interests and growing needs of artists. Belardo's goal as a curator is to support boundary pushing artists as they establish themselves in the art historical canon, especially those who have been historically marginalized. Currently, Belardo holds the position of Assistant Curator, Visual Art and Civic Programs at The Shed, NYC. Their professional experience has included major arts institutions in New York City like the Whitney Museum of American Art, and Pace Gallery. Belardo recently completed the Museum Professionals Seminar with The Studio Museum in Harlem.

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